Showing 1,261–1,280 of 1,927 results for spring
Emily Kam Kngwarray
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Liubov Popova: From Painting to Textile Design
In 1923 the painter Liubov Popova began creating designs for fabric to be manufactured by the First State Textile Printing …
Conserving Mark Rothko’s Black on Maroon 1958: The Construction of a ‘Representative Sample’ and the Removal of Graffiti Ink
This paper describes the preparation of a ‘representative sample’ and the investigation and refining of the solvent system used to …
Madame Zborowska and Portrait of a Student: A Case Study of Two Paintings Not Included in Ambrogio Ceroni’s Modigliani Publication of 1970
Two of Modigliani’s portraits made between 1918 and 1919 were not included in the most widely accepted catalogue of the …
We believe that taste doesn't apply to the honesty of exaggeration: Martin Kippenberger
Associated with the culture of refined abandon is the idea that art and alcohol are related, ending in tragically romantic …
‘New Ways of Modern Bohemia’: Edward Burra in London, Paris, Marseilles and Harlem: Rothenstein Lecture
Paying close attention to Edward Burra’s letters, scrapbooks and other archival material, Andrew Stephenson reveals the impact that the cosmopolitan …
The Craze for Pastel: Essay
Ruth Kenny's essay on The Craze for Pastel in conjunction with a 2014 BP Spotlight display at Tate Britain on …
Sugar, Salt and Curdled Milk: Millais and the Synthetic Subject
This article examines the sexual imagery of particular paintings by the Pre-Raphaelite painter John Everett Millais. It argues that criticism …
How I learned to see: Richard Deacon at Tate Britain
The leading British sculptor Richard Deacon (born 1949), who first gained international prominence in the early 1980s, is the subject …
The Sublime Plurality of Worlds: Lucretius in the Eighteenth Century
This paper discusses Lucretian themes in the idea of a ‘cosmic sublime’ in the context of the discourse of the …
Frank Bowling: Material Explorations
This paper establishes a technical art history of the paintings of Frank Bowling and chronicles materials and techniques used by …
‘Fire and Water’: Turner and Constable in the Royal Academy, 1831
Pictures by John Constable and J.M.W. Turner hung side by side in the Royal Academy in 1831, an arrangement orchestrated …
Time-Lines: Rilke and Twombly on the Nile
Cy Twombly’s remark that ‘lines have a great effect on painting’ resonates not only with his graphic practice but with …
Bloomberg Philanthropies and Tate
This longstanding partnership has supported Tate since 2000, enabling us to deliver art to widespread audiences in more accessible ways. …
Five Artworks Inspired by St Ives
See St Ives and the surrounding Cornish landscape through the eyes of the artists who made the area their home
Grayson Perry: Turner Prize retrospective
Known mainly for his ceramic vases and cross-dressing, the English artist was the Turner Prize winner in 2003
In Conversation with Joanna Piotrowska
The Art Now artist talks to us about her motivation, inspiration and how she makes art that is relevant to …
Four Principles Behind Naum Gabo’s Art
Learn how Naum Gabo shaped his art through a clearly defined set of guidelines
Ritual Coursework Guide
What is a ritual? Discover how ritual has been used as a theme in art