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As the environment slides down the list of governmental priorities, JM Ledgard and Alastair Smart discuss whether artists can really ¡­

Folklore, mythology, mysticism and the occult pervade the development of modernism and Surrealism in Britain, especially in relation to the ¡­

Was this the same Kurt Schwitters, founder of Merz, collaborator with Dadaists, Cubists and Constructivists, who won first, second and ¡­

Andy Warhol is remembered as the king of pop art who embraced celebrity and consumerism, and would become an American ¡­

Music¡¯s capacity to expose the contradictions which emerged within late nineteenth-century understandings of the sublime is explored in relation to ¡­

This paper details how diffractive analysis, a practice-based research methodology combining methods from art practice, art history and cultural studies, ¡­

This discussion of two films made for television in 1971 by Flemish filmmaker Jef Cornelis brings into relief an underlying ¡­

Artists in the exhibition Soul of a Nation: Art in the Age of Black Power talk about their work

In his short life, Hamad Butt made art that explored scientific knowledge and our attempts to both rationalise the world ¡­

Joseph Beuys¡¯s Free International University for Creativity and Interdisciplinary Research (FIU), established in the early 1970s, stands at the beginning ¡­

Reflecting on the role of outreach and reaching widened audiences

In the early 1990s Lin Tianmiao (born 1961) returned to Beijing after several years in New York, and established herself ¡­

Examining Cai Guo-Qiang¡¯s photographic series The Century with Mushroom Clouds, Ben Tufnell explores the work¡¯s connections to American land ¡­

A celebrated sequence of slow-motion footage of Matisse¡¯s working hand fascinated philosopher Maurice Merleau-Ponty and psychoanalyst Jacques Lacan. This paper ¡­

This essay addresses institutional critique in relation to learning in the art museum. It aims to introduce an alternative approach ¡­

Focusing on the long relationship Andy Goldsworthy has had with the landscape of the Bretton Estate, the location of Yorkshire ¡­

In his theory of communication, philosopher and writer Vil¨¦m Flusser (1920¨C1991) referred to art often, yet unsystematically. This article proposes ¡­

The recent interest in avant-garde art from Hungary shown by international museums such as Tate has been paralleled by transformations ¡­