Showing 1,301–1,320 of 3,388 results
Printing in the Dark Room
Adrian Ensor has been developing and printing photographs in his London dark room for over forty years
Two Ladies of the Lake Family c.1660 by Sir Peter Lely
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
Elizabeth, Countess of Kildare c.1679 by Sir Peter Lely
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
Susanna and the Elders c.1650–5 by Sir Peter Lely
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
Man Playing a Pipe c.1648 by Sir Peter Lely
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
Portrait of James Hamilton, Earl of Arran, Later 3rd Marquis and 1st Duke of Hamilton, Aged 17 1623 by Daniel Mytens the Elder
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
Lady Anne Pope c.1615 by Robert Peake
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
Making The Squash
Take a look at the how we made The Squash, from artist studio visit to the final build
View of a House and its Estate in Belsize, Middlesex 1696 by Jan Siberechts
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
Portrait of a Lady as a Shepherdess c.1670 by Gilbert Soest
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
George Puleston (?) c.1625–30 by John Souch
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
Sir Neil O’Neill 1680 by John Michael Wright
Read technical information about this painting resulting from examination and scientific analysis by conservators and conservation scientists at Tate
Art Beyond Sight
How might someone with limited sight experience a painting?