Showing 1,321–1,340 of 1,911 results for nature
The man who would be British: Anthony van Dyck
Is Anthony van Dyck a British artist? Jeremy Wood charts the continental shift of a peripatetic man who spent two …
A fearless embrace of our common existential situation as frail, short-sighted creatures lost in space in a temporarily lucky planet: Robert Smithson's Spiral Jetty
Robert Smithson’s vast earthwork Spiral Jetty 1970 became an instant icon of land art, partly thanks to iconic photography by …
Girl in a Chemise c.1905 by Pablo Picasso
Picasso transformed an earlier painting of a boy to create this profile of a slender young woman. This paper uses …
ARTIST ROOMS: Jenny Holzer
Explore the room guide for the ARTIST ROOMS: Jenny Holzer exhibition at ºÚÁÏÉç
The Casablanca Art School
Find out more about our exhibition at Tate St Ives
Painting and Photography
Tate In Focus research project exploring Pegwell Bay, Kent – a Recollection of October 5th 1858 ?1858–60 by William Dyce
Pierre Bonnard: His Rhythm was Colour
The French painter Pierre Bonnard often worked from memory, capturing fleeting moods and moments in unconventional compositions. A bold and …
Haute Portraiture
Portrait painter to the rich and famous, John Singer Sargent acted like a stylist, manipulating fashion – alongside his trusty …
Spinning Light
Since the early 1960s, Liliane Lijn has made work at the crossroads between art, science and literature. Drawing from schools …
Les Immatériaux Revisited: Innovation in Innovations: Landmark Exhibitions Issue
The author introduces her in-depth survey of the exhibitionLes Immatériaux, conducted during the show at the Centre Pompidou …
How to Talk About Biennials That Don’t Exist: Reassembling the Twelfth São Paulo Biennial (1973)
The twelfth São Paulo Biennial (1973) was an under-documented exhibition that lacked unifying coherence and received little critical attention. The …
Centres of Energy
Mollie R. Berger on Noland’s obsession with centrality and balance, part of a Tate Research In Focus project on Kenneth …
Art for fiction's sake: The art of writing
In the Studio: Will Self tracks the ever-changing relationship between the literary and visual arts from John Keats to J.G. …
An Extreme Tolerance for the Unknown: Art, Psychoanalysis and the Politics of the Occult
Tate Research In Focus project on From the Freud Museum 1991–6 by Susan Hiller
Substance and Speech: Adrian Stokes and the Politics of Content and Form
This paper considers the figurative role of surfaces and their contents in the first chapter, ‘Jesi’, of Adrian Stokes’s The …
Adam and Newman’s Beginnings
In Focus project on Adam (1951, 1952) by Barnett Newman, authored by Michael Schreyach with contributions by Michael Leja and …
The Painting
Alex Taylor on Kenneth Noland's Gift 1961–2, part of a Tate Research In Focus project
‘Marx on the Wall’: Muralism and Anglo-American Exchange during the 1930s
This article explores English artists’ support for socially engaged public mural painting during the 1930s in relation to international developments, …
Interview with Boris Groys
As part of In Focus for Tate, Chad Alias interviews critic and theorist Boris Groys to explore the primarily theoretical …