Showing 1,361â1,380 of 1,701 results for self-portrait
Interview: Rosenquist on Silo
Tate Research In Focus project study on Silo 1963â4 by James Rosenquist
Who farted?: British comic art
Rude Britannia: British Comic Art:, Tate Britainâs forthcoming exhibition exploring the riotous history of humour in British visual culture âŠ
Yhonnie Scarce: 'Aboriginal people are Australia's royalty'
Meet the artist who uses glassblowing to explore ideas of Country and family
Fahrelnissa Zeid: city by city
Follow the international artistâs creative journey through each of the cities she spent time in
The George Hallett Research Collection
The art historian and curator Christine Eyene discusses the formation of an independent research collection of works by the South âŠ
Bell in Europe
Tate Research In Focus project on Vanessa Bell's Abstract Painting 1914
He is poetic, but...: Luc Tuymans
To coincide with the Luc Tuymans show at șÚÁÏÉç, the first large-scale exhibition of his work in the UK, âŠ
When Alberto Giacometti met Samuel Beckett
From their sense of style, to their late-night run-ins, explore the friendship between the artist and playwright and discover the âŠ
Details Coursework Guide
Explore the theme of details through works in our collection
Capturing the Moment: Join the Conversation
Listen to personal responses to artworks featured in the șÚÁÏÉç exhibition Capturing the Moment
The Painting
Tate In Focus research project exploring Orthodox Boys 1948 by Bernard Perlin
Architecture and the Sixties: still radical after all these years
The Art and the 60s: This Was Tomorrow exhibition broke new ground for Tate Britain by mixing fine art, architecture âŠ
One-Shot Painting
'One-shot Painting' by Alex Taylor, part of a Tate Research In Focus project on Kenneth Noland's Gift 1961â2
âWaste Dominionâ, âWhite Warfareâ, and Antarctic Modernism
This paper considers the historical coincidence of modernism and the heroic age of Antarctic exploration. In particular, it contextualises allusions âŠ
Lost in the Crowd: Blake and London in 1809
This article explores why William Blakeâs solo exhibition of 1809 has been such an important source for understanding his attitude âŠ
The great collaborator: DalĂ
In 1976 Salvador DalĂ made a film with JosĂ© Montes Baquer called Impressions of Upper Mongolia, Hommage to Raymond Roussel âŠ
A centre of intelligence: Mathaf: The Arab Museum of Modern Art, Doha, Qatar
Simon Grant, editor of Tate Etc. visits the inauguration of Mathaf: Arab Museum of Modern Art in Doha
Senses Coursework Guide
From touch and taste to sight and smell, discover the artworks in our collection that explores the themes of the âŠ
Now is for ever, again: The everyday
From Gabriel Orozcoâs exhibition of yoghurt pot lids to Rirkrit Tiravanijaâs transformation of a gallery into a kitchen to serve âŠ
'It Is not a lasso, an arabesque, nor a piece of spaghetti': Lucio Fontana
Fontana saw his work as a classic representation of what he called âa spatial environmentâ and described it as âa âŠ