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As the new ºÚÁÏÉç building moves closer towards completion, its director Chris Dercon gives his view of the expanded ¡­

Inspired by Marcel Proust and the typeface of public signs in Communist Poland

The Irish Booker prize nominee reflects on Barton Springs, the short story he wrote inspired by the work of Marlene ¡­

Since the birth of humans as sentient beings, we have believed in the animistic nature of things ¨C of plants, ¡­

The artist¡¯s extraordinary watercolours, based on Emily Bront?¡¯s Wuthering Heights, reflected her frustration in her married life

Trained as a painter, Cui Xiuwen (born 1967) mainly works in conceptual photography and the moving image. While her early ¡­

Lin Jingjing (born 1970) employs varied media including video, photography and performance to explore notions of social and personal identity ¡­

Explore William Stott¡¯s enigmatic painting Le Passeur (The Ferryman) 1881. Investigate its hidden symbolism and find out how ¡­

Shirazeh Houshiary's art is ambiguous, it makes you think and question, it doesn't just show and tell

Melanie Smith¡¯s video Xilitla, which focuses on Edward James¡¯s extraordinary gothic Mexican garden Las Pozas de Xilitla, was purchased ¡­

Explore textures in art from woven textures and textured fabrics and materials to gestural marks and patterns

To coincide with the retrospective at ºÚÁÏÉç of Richard Hamilton, one of the most important and influential artists of ¡­

Find out more about our exhibition at ºÚÁÏÉç

Despite being regarded as one of the most influential figures in post-war photography, Harry Callahan's work is little known in ¡­

Artworks on view at this year¡¯s TEFAF art fair in Maastricht showed how great artists from across the centuries have ¡­

The artist discusses how materials are a natural part of his life, and looks back at when his work hit ¡­

³¢³Ü³¦°ù±ð³Ù¾±³Ü²õ¡¯²õ De rerum natura is a neglected source for the emergence of the theory and practice of the sublime in ¡­

Music¡¯s capacity to expose the contradictions which emerged within late nineteenth-century understandings of the sublime is explored in relation to ¡­

Managing the digitisation of 52,000 objects from Tate Archive is a process driven by metadata. We need information on the ¡­