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Showing 121–140 of 3,386 results

Tate Papers

The Management of Display Equipment in Time-based Media Installations

Pip Laurenson

Time-based media installations are works of art that incorporate audio, film, video, 35 mm slides or computer-based elements. This paper …

Tate Papers

From the Green Box to Typo/Topography: Duchamp and Hamilton’s Dialogue in Print

Paul Thirkell

This paper examines Marcel Duchamp's use of the collotype printing process for publishing the contents of his Green Box and …

Tate Papers

Thomas Guest and Paul Nash in Wiltshire: Two Episodes in the Artistic Approach to British Antiquity

Sam Smiles

The artistic representation of British antiquity brings in its wake a problem of methodology: how are the working assumptions of …

Tate Papers

Contemporary Art and the Role of Interpretation

Helen Charman and Michaela Ross

Recent research indicates that the taught curriculum in art and design secondary school education pays scant attention to meaning-making in …

Tate Papers

New Media Art and the Gallery in the Digital Age

Charlie Gere

This paper examines some the changes that digital technology has wrought upon conceptions of space, time and culture, and how …

Tate Papers

Paintings on Canvas: Lining and Alternatives

Stephen Hackney

This paper catalogues major changes in attitude during the last thirty years to conservation practice for the treatment of degraded …

Tate Papers

Index, Diagram, Graphic Trace: Involuntary Drawing

Margaret Iversen

The graphic trace is a hybrid type of representation: it takes from the index a registration of something unique – …

Tate Papers

Lightning and Rain: Phenomenology, Psychoanalysis and Matisse’s Hand: Involuntary Drawing

Ed Krčma

A celebrated sequence of slow-motion footage of Matisse’s working hand fascinated philosopher Maurice Merleau-Ponty and psychoanalyst Jacques Lacan. This paper …

Tate Papers

Production in View: Allan Sekula’s Fish Story and the Thawing of Postmodernism

Bill Roberts

Bill Roberts argues that Fish Story 1989–95 by the photographer and theorist Allan Sekula expresses a shift from a culture …

Tate Papers

Drawing in the Dark: Involuntary Drawing

Susan Morris

Susan Morris approaches the subject of involuntary drawing from the point of view of an artist trying to make a …

Tate Papers

‘The Veriest Poem of Art in Nature’: E. A. Hornel’s Japanese Garden in the Scottish Borders

Ysanne Holt

E. A. Hornel (1864–1933) depicted Galloway girls in decorative, idyllic natural settings. From 1900 he also designed a small Japanese …

Tate Papers

Conservation Concerns for Acrylic Emulsion Paints: A Literature Review

Elizabeth Jablonski, Tom Learner, James Hayes and Mark Golden

Acrylic emulsion paints have been widely used by artists since their development in the late 1950s. This paper reviews the …

Tate Papers

Awkward Relations

Neil Mulholland

This paper focuses on practices that captured critical and curatorial attention in Scotland and England at the turn of this …

Tate Papers

Van Dyck and France under the Ancien Régime 1641–1793

Guillaume Faroult

Examining Anthony Van Dyck’s reputation in France from his death in 1641 to the opening of the Musée du Louvre …

Tate Papers

Judd through Oldenburg

Richard Shiff

In his critical writing on Claes Oldenburg during the 1960s Donald Judd explained how emotional content might be conveyed through …

Tate Papers

Sugar, Salt and Curdled Milk: Millais and the Synthetic Subject

Carol Jacobi

This article examines the sexual imagery of particular paintings by the Pre-Raphaelite painter John Everett Millais. It argues that criticism …

Tate Papers

The Materials Used by British Oil Painters in the Nineteenth Century

Joyce H. Townsend

This paper reviews existing literature on nineteenth-century British artists’ materials. Sources of information, such as colourmen’s archives, artists’ diaries and …

Tate Papers

Wavelength: On Drawing and Sound in the Work of Trisha Donnelly: Involuntary Drawing

Anna Lovatt

This article considers the relationship between drawing and sound in the work of American artist Trisha Donnelly (born 1974). Against …

Tate Papers

Kenneth Armitage’s Pandarus (version 8)

Toby Treves

This paper concentrates on the making and meaning of Kenneth Armitage Pandarus (version 8) 1963, which was recently presented to …

Tate Papers

Becoming Machine: Surrealist Automatism and Some Contemporary Instances: Involuntary Drawing

David Lomas

Examining the idea of being ‘machine-like’ and its impact on the practice of automatic writing, this article charts a history …

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