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Showing 1,421–1,440 of 1,701 results for self-portrait

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Han Yajuan 韩娅娟

As part of the post-1978 generation, Han Yajuan (born 1980) is concerned with China’s socio-cultural transformations and new materialistic trends. …

Tate Papers

‘A Summing Up of All I Have Ever Thought’: Adrian Stokes’s ‘In Short’ (1942) and his Other Writings of the Period

Paul Tucker

The intertextual links between Stokes’s unpublished essay ‘In Short’ (1942) and his other writings of the period justify his own …

Tate Papers

George Elgar Hicks’s Woman’s Mission and the Apotheosis of the Domestic

Kendall Smaling Wood

Tracing the evolution of the domestic in English cultural discourse over the first half of the nineteenth century, this paper …

Tate Papers

The Arctic Fantasies of Edwin Landseer and Briton Riviere: Polar Bears, Wilderness and Notions of the Sublime

Diana Donald

Nineteenth-century images of the Arctic suggest that the sublime lost its religious and moral dimensions. While Frederic Church’s painting Icebergs …

Tate Papers

Wild Geese Over the Mountains: Melodrama and the Sublime in the English Imaginary 1933–9: The Sublime Object

Ian Patterson

The paper traces the frequency with which familiar tropes of the sublime are used in the writing and painting of …

Tate Papers

‘No Continuing City’: John Constable, John Britton and Views of Urban History

Stephen Daniels

This article explores the place of urban subjects in works by the nineteenth-century artist John Constable, who is generally known …

In Focus

Hatchings: Technique as Motif

Seth McCormick

Tate Research In Focus project on Dancers on a Plane 1980–1 by Jasper Johns
Tate Papers

Gothic Cathedrals from Romanticism to Modernism: Images and Ideas

David Blayney Brown

Taking as its starting point John Constable’s Salisbury Cathedral from the Meadows exhibited 1831, this paper considers what factors made …

Look Closer

Subjects and meaning in Salisbury Cathedral from the Meadows

Revolutionary in his approach to landscape but conservative in his approach to life: discover some of the themes that inspired …

Exhibition Guide

Exhibition Guide: John Piper

Find out more about our exhibition at Tate Liverpool

Tate Etc

It's all true: The World as a Stage II

Catherine Wood and Jessica Morgan

Co-curators of the 黑料社 exhibition, ask some of the participating artists about its?themes

Tate Etc

Domes for doomsday: Etc. Essay

Eva Díaz

The enduring legacy of Buckminster Fuller’s geodesic domes

Tate Etc

The scene is set: Tate Britain New Displays I

Lizzie Carey-Thomas

Several displays this summer explore ways in which ideas surrounding performance have come to occupy a defining place in art …

Tate Etc

The aesthetics of documentary

Mark Cousins

‘Documentary is intrinsically aesthetic,’ argues Mark Cousins, ‘it is as much about shots and cuts, structure and rhythm as …

Tate Etc

Women in Revolt!: A Living Canvas

With Christine Binnie, Jennifer Binnie, Wilma Johnson and Lucy Whitman

In the Gallery

Tate Britain visual story

A step-by-step visual and written guide to help you plan your visit

Talking Point

Rethinking Geometric Abstraction

Nadia Radwan

Nadia Radwan explores how mathematical and mystical principles inspired the geometrical abstract work of three artists

Voice and Breath

Katrina Nzegwu

Katrina Nzegwu reviews ‘Voice and Breath’, a two-night programme of contemporary artistic practices working at the intersection of performance, poetry …

In Focus

‘The Dustbin of History’: Sultan and Mandel’s Evidence

Andrew Witt

Tate Research In Focus project on Evidence 1977 by Larry Sultan and Mike Mandel
In Focus

Not-Archaeology: Freud and Hiller as Collectors

Joanne Morra

Tate Research In Focus project on From the Freud Museum 1991–6 by Susan Hiller
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