Showing 1,441–1,460 of 1,911 results for nature
The art of protest: Can artists respond effectively to social and political upheaval?
The ºÚÁÏÉç display Citizens and States poses a range of possible ways that artists might react to or participate …
Temple of mysteries: Mark Rothko
John Banville writes a personal appreciation of Rothko after a visit to ºÚÁÏÉç’s Rothko Room.
No Fixed Horizon
Paul Pfeiffer’s 2003 film on JMW Turner’s Morning After the Deluge explores the uncanny notion that perception isn’t stable …
PhD opportunity: Idea Transformer: A History of Curatorial Innovation at ºÚÁÏÉç
RCA and Tate are delighted to offer the following Arts and Humanities Research Council fully-funded PhD studentship: ‘Idea Transformer: a …
Barbara Walker: ‘It’s like life itself, like the air I breathe’
Meet the visual artist interested in power, identity and the visibility of Black experience
Before the flood, or after the war?: Winifred Knights at Tate Britain
For his recent verse drama Pink Mist, Owen Sheers interviewed dozens of wounded soldiers who had returned from conflict, …
Soldiers, amazons and chivalric fantasies: Project from the Archive of Modern Conflict: Warriors
The Archive of Modern Conflict (AMC) contains one of the best collections of photographs of war and conflict from across …
Q&A: Lisa Brice
We talk to the artist as her Art Now exhibition opens at Tate Britain
Guided Freedom: Aesthetics, Tutelage, and the Interpretation of Art
This paper examines the operations of post-Kantian aesthetic discourses as parts of cultural technologies that induct individuals into particular kinds …
Perceptions, Processes and Practices around Learning in an Art Gallery
This paper presents the findings of a research project examining the way learning is perceived by senior members of learning …
The Aesthetics of Collaboration: Complicity and Conversion at MIT’s Center for Advanced Visual Studies
This essay uses new archival sources to reconstruct the aesthetics – and ethics – of collaboration at Gyorgy Kepes’s Center …
John Gibson and the Anglo-Italian Sculpture Market in Rome: Letters, Sketches and Marble
John Gibson established a hugely successful sculpture studio in Rome, and despite strong reasons to return to London, such as …
The Painting and the Frame
Tate Research In Focus project on Dancers on a Plane 1980–1 by Jasper Johns
From the Green Box to Typo/Topography: Duchamp and Hamilton’s Dialogue in Print
This paper examines Marcel Duchamp's use of the collotype printing process for publishing the contents of his Green Box and …
Value and Audience Relationships: °Õ²¹³Ù±ð’s Ticketed Exhibitions 2014–15
In this report Mariza Dima sets out the findings of a research project examining the experiential and educational value of …
Seeing Salt Flat
John R. Blakinger explores Salt Flat 1968 by Dennis Oppenheim | part of a Tate In Focus study
Living in the Long Front
This essay offers a history and critical evaluation of ideas put forward by the critic Lawrence Alloway in the late …
6: Exhibitions and Displays
This curatorial essay by Tim Batchelor explores the special exhibitions at Tate dedicated to William Hogarth. Written to accompany BP …