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  • All(7,745)
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Showing 1,501–1,520 of 1,744 results for self-portrait

Tate Papers

Border Crossing

Felicity Allen

Nahnou-Together is a partnership programme involving art museums and an informal art school, in Amman, Damascus and London. This paper …

Tate Papers

‘More Impact than the Venice Biennale’: Demarco, Beuys and Strategy: Get Arts

Christian Weikop

In this essay Christian Weikop closely examines primary source correspondence and press material from the Richard Demarco Archive at the …

In Focus

Art, Science and Religion

Christiana Payne

Tate In Focus research project exploring Pegwell Bay, Kent – a Recollection of October 5th 1858 ?1858–60 by William Dyce
In Focus

Painting the Picture

Rebecca Hellen and Alexandra Gent

Tate Research In Focus project on Thomas Gainsborough's painting Peter Darnell Muilman, Charles Crokatt and William Keable in a Landscape …
Tate Etc

Every work of art is the child of its time, often it is the mother of our emotions": Kandinsky

Adrian Glew

Wassily Kandinsky’s ground-breaking theoretical publication Concerning the Spiritual in Art (1912), with its emphasis on colours as “vibrations of the …

Inspired by

黑料社 Open Call: Writing and Art

Want to see your writing showcased by Tate?

List

Five Things to Know about Aubrey Williams

Get to know this founding member of the British Caribbean Artists Movement

Tate Etc

The drink that fuelled a nation's art: Degas, Sickert and Toulouse-Lautrec

Jad Adams

The Green Goddess haunted a nation and fuelled its art, including that of Degas, Sickert and?Toulouse-Lautrec.

Tate Etc

We all have dreaming minds, and we are all capable of being terrified: Gothic Nightmares

Louise Welsh and Patrick McGrath

The gothic has remained one of the most universal genres, which has attracted writers, filmmakers, musicians and artists across the …

Tate Papers

From Ephemeral Experiences to Lasting Legacies: Discourses on Experimental Art in the Philippines during the 1960s and 1970s

Eva Bentcheva

This paper shows how the Philippine visual art scene of the 1960s and 1970s offered particularly fertile ground for early …

Tate Papers

‘Layers of Looking’: Changing Surfaces in the Paintings of Gary Hume

Rachel Scott, Helen Brett and Bronwyn Ormsby

This article explores issues of change in the high gloss surfaces of four of Gary Hume’s paintings: Incubus 1991, Water …

Read

Xiao Lu 肖鲁

Xiao Lu (born 1962) works with performance, installation and video. She gained fame by shooting her own installation, Dialogue, at …

Tate Papers

Josef Albers, Eva Hesse, and the Imperative of Teaching

Jeffrey Saletnik

This paper examines affinities between the Bauhaus-indebted instructional methods and practices of Josef Albers and the sculpture of Eva Hesse, …

Tate Papers

Liubov Popova: From Painting to Textile Design

Christina Lodder

In 1923 the painter Liubov Popova began creating designs for fabric to be manufactured by the First State Textile Printing …

Tate Papers

Scale in Sculpture: The Sixties and Henry Moore: Rothenstein Lecture

Anne Wagner

How do size and scale matter to the sculpture of Henry Moore? This paper offers a preliminary investigation of this …

Tate Papers

The Framing of John Constable’s Salisbury Cathedral from the Meadows

Adrian Moore

This paper examines the re-framing of John Constable’s Salisbury Cathedral from the Meadows, first exhibited at the Royal Academy …

Seeking ‘A Blazing Reality’: Nasreen Mohamedi’s Photographs

Eleanor Clayton

Explore the artist’s distinctive photographic practice with Eleanor Clayton, co-curator of the Nasreen Mohamedi exhibition Tate Liverpool, 6 June – …
Exhibition Guide

Barbara Hepworth: Art & Life

Explore the Tate St Ives exhibition room by room

Interview

Pop daddy: The great Richard Hamilton on his early exhibitions

Hans Ulrich Obrist

Often called the intellectual father of Pop Art, Richard Hamilton is as active now as when he organized some of …

In Focus

Sites of Disturbance: Systems of Knowledge and Hiller’s Anarchival Impulse

Alexandra Kokoli

Tate Research In Focus project on From the Freud Museum 1991–6 by Susan Hiller
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