Showing 1,621–1,640 of 1,744 results for self-portrait
His darkened imagination: Henry Moore
His darkened imagination: Andrew Causey on Henry Moore, Tate Etc. issue 18 Spring 2010
Tania Bruguera born 1968 Tatlin’s Whisper #5 2008
As part of Performance at Tate: Into the Space of Art, Jonah Westerman explores Tania Bruguera's Tatlin’s Whisper #5 2008
Anni Albers: Weaving Magic
As a student at the Bauhaus in Germany in the early 1920s, Anni Albers found artistic freedom in the weaving …
Experiments in Integrated Programming
Many contemporary artists operate beyond the studio and traditional exhibition spaces, providing both a need and an opportunity for galleries …
Mona Hatoum: Room Guide
Room guide for Exhibition at ºÚÁÏÉç - 4 MAY – 21 AUGUST 2016
New Media Art and the Gallery in the Digital Age
This paper examines some the changes that digital technology has wrought upon conceptions of space, time and culture, and how …
Afterthoughts: Introduction
Matthew Gale , Afterthoughts: Introduction; Tate Papers no.8
Contested Comparisons: Franz Kline and Japanese Calligraphy
Essay by Eugenia Bogdanova-Kummer for In Focus study by AnnMarie Perl on Meryon 1960–1 by Franz Kline, a Tate Research …
Bernard Perlin: Europe’s American
Tate In Focus research project exploring Orthodox Boys 1948 by Bernard Perlin
Rethinking Artistic Languages: Global Politics and Gendered Practice
Tate Research publication 'In Focus: Wrinkle 1968 by Liliana Porter' by Sophie Halart, published January 2018
Interview with Rabih Mroué
Chad Elias interviews artist Rabih Mroué as part of a Tate In Focus project.
Tate Social Media Communication Strategy 2011–12
This report provides an overview of °Õ²¹³Ù±ð’s Social Media Communication Strategy, outlining the key objectives for each of its social …
°¿³Ù²¹Ã¯³Ù¾± 1930 by Francis Picabia
Picabia’s so-called ‘transparency’ paintings – of which °¿³Ù²¹Ã¯³Ù¾± is a prime example – have not been the subject of much …
‘Nothing Comes Without its World’: Learning to Love the Unknown in the Conservation of Ima-Abasi Okon’s Artworks
This paper gives an account of the author’s experience as a time-based media conservator working on the acquisition and display …
Confluences: Stories of Art and the Planetary
Rebekah S. Park reviews the symposium ‘Confluences: Stories of Art and the Planetary’, which took place on the occasion of …
Pegwell Bay in the 1860 Exhibition
Tate In Focus research project exploring Pegwell Bay, Kent – a Recollection of October 5th 1858 ?1858–60 by William Dyce
A ‘New Face’ at the Co-op
This In Focus project explores the production context of The Girl Chewing Gum and charts its intersections with debates concerning …
Private pleasure for the public good?: ºÚÁÏÉç Rehang
As ºÚÁÏÉç completes its first comprehensive rehang, we bring together three art professionals with an insider’s view of the …
A contemporary visionary (part I): Peter Fischli on Sigmar Polke
Sigmar Polke (1941–2010) was one of the most inventive and influential artists of recent times. A leading figure in the …