Showing 1,621–1,640 of 177,727 results
Brighton Pierrots by Walter Richard Sickert
This work was made during WW1. Chris Stephens, Curator, describes its underlying sorrow
Why was American Surfaces groundbreaking? Curator Sarah Allen
Why was this work groundbreaking? Curator Sarah Allen
Curator Lauren Barnes Hepworth abstraction
How can abstraction relate to the world around us? Curator Lauren Barnes
Barbara Hepworth talking about living with a sculpture
What's it like to live with a sculpture? Barbara Hepworth
Penelope Curtis talking about Hepworth's carving methods
Why did Hepworth carve her own work? Curator Penelope Curtis
Chris Stephens talking about Hepworth and landscape
How important was St Ives to Hepworth's work? Curator Chris Stephens
Penelope Curtis talking about meaning in Hepworth's work
Can you make something meaningful without a message? Curator Penelope Curtis
Derek Pullen talks about how Hepworth used sound in her work
How did Hepworth use sound in her work? Sculpture Conservator Derek Pullen
Chris Stephens talking about Henry Moore and surrealism
How does this work respond to surrealism? Curator Chris Stephens
Chris Stephens talking about Henry Moore's politics
What do we know about Moore's politics? Curator Chris Stephens
Chris Stephens talks about why Henry Moore didn't discuss meaning of his work
Why didn't Moore discuss the meaning of his work? Curator Chris Stephens
David Mitchinson talks about what Moore said about his work
What did Moore say about his work? His assistant, David Mitchinson
Mary Moore talking about what art Moore saw when he was growing up
How different was Moore's work to the art he saw growing up? The artists' daughter, Mary Moore
David Mitchinson talks about working with Henry Moore
What's it like to work with an artist? His assistant, David Mitchinson
Elena Crippa talks about Pauline Boty's interest in Marilyn Monroe
What does Marilyn Monroe represent here? Curator Elena Crippa
Saloua Raouda Choucair's daughter talks about her mother's interest in scientific discoveries
Hala Schoukair, the artist's daughter, on Choucair's interest in scientific discoveries
Choucair on the universal influences on her work
Choucair on the universal influences on her work
Azalea Garden: May 1956 by Patrick Heron
Can a work be abstract and represent a subject? Curator Chris Stephens
Naum Gabo: Construction: Stone with a Collar 1933, this version c.1936–7
What's the most important material in this work? Visitor assistant John Hughes
Derek Pullen talks about Henry Moore's planning
How were works like this planned? Sculpture Conservator Derek Pullen