Showing 1,621–1,640 of 3,511 results
‘Suffer a Sea-Change’: Turner, Painting, Drowning
This paper reflects upon the implications of J.M.W. Turner’s close and varied attention to the depiction of sea-water. In particular, …
Listening for the Sublime: Aural-Visual Improvisations in Nineteenth-Century Musical Art
Music’s capacity to expose the contradictions which emerged within late nineteenth-century understandings of the sublime is explored in relation to …
‘Waste Dominion’, ‘White Warfare’, and Antarctic Modernism
This paper considers the historical coincidence of modernism and the heroic age of Antarctic exploration. In particular, it contextualises allusions …
Video Games and the Technological Sublime
This paper examines the notion of the contemporary technological sublime, and asks what sublime affect means in the context of …
Ideas in Transmission: LeWitt’s Wall Drawings and the Question of Medium
This article considers Sol LeWitt’s wall drawings as artworks poised on the cusp of the ‘post-medium condition’ of installation art. …
David Musgrave: Faulty Images
This paper takes as its starting point two drawings by David Musgrave in °Õ²¹³Ù±ð’s collection, Plane with inverted figure 2007 …
Art of Interaction: A Theoretical Examination of Carsten Höller’s Test Site
This paper looks at the interactivity of Carsten Höller’s Test Site 2006, using Alfred Gell’s Art and Agency (1998) and …
Scale in Sculpture: The Sixties and Henry Moore: Rothenstein Lecture
How do size and scale matter to the sculpture of Henry Moore? This paper offers a preliminary investigation of this …
Guided Freedom: Aesthetics, Tutelage, and the Interpretation of Art
This paper examines the operations of post-Kantian aesthetic discourses as parts of cultural technologies that induct individuals into particular kinds …
What if Art Desires to be Interpreted? Remodelling Interpretation after the ‘Encounter-Event’
Taking up analytical theorist and painter Bracha Ettinger’s argument that it is the destiny and desire of artworks to be …
‘Palpable and Mute as a Globed Fruit’
This paper considers a series of fundamental problems and paradoxes in accounting for interpretation in contemporary museum encounters, and explores …
Tate Social Media Communication Strategy 2011–12
This report provides an overview of °Õ²¹³Ù±ð’s Social Media Communication Strategy, outlining the key objectives for each of its social …
Art World, Network and Other Alloway Keywords
The British critic Lawrence Alloway (1926–1990) generated a new vocabulary for American art of the 1960s and 1970s. This paper …
Mapping the Field: Lawrence Alloway’s Art Criticism-as-Information
Lawrence Alloway claimed that the art critic should avoid explicit value judgements and instead provide information. This paper historicises Alloway’s …
Living in the Long Front
This essay offers a history and critical evaluation of ideas put forward by the critic Lawrence Alloway in the late …
Lawrence Alloway’s Spatial Utopia: Contemporary Photography as ‘Horizontal Description’
The mobility of art was a concept central to British critic Lawrence Alloway’s understanding of the role of visual imagery …
Regular Novelties: Lawrence Alloway's Film Criticism
The uncertain relationship between art and industry was at the heart of the questions Lawrence Alloway had been asking about …
Parallel Systems: Lawrence Alloway and Eduardo Paolozzi
This essay plots the shared intellectual concerns of the critic Lawrence Alloway and the artist Eduardo Paolozzi, focusing on their …
ARTIST ROOMS: Young People and Learning 2009–10
This report describes and evaluates the ARTIST ROOMS learning initiatives launched in 2009–10 at Tate and the National Galleries of …
To the Ends of the Earth: Art and Environment: Art & Environment
Introducing the group of articles devoted to the theme of ‘Art & Environment’ in Tate Papers no.17, this essay reflects …