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  • All(7,747)
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Showing 1,681–1,700 of 1,701 results for self-portrait

Tate Papers

Memory and the Aesthetics of Military Experience: Viewing the Landscape of the Anglo-Mysore Wars

Rosie Dias

Examining landscape imagery produced after the third Anglo-Mysore War (1789–92), Rosie Dias argues that these works oscillated between memorialisation, personal …

Tate Papers

Contemporary Art and the Role of Interpretation

Helen Charman and Michaela Ross

Recent research indicates that the taught curriculum in art and design secondary school education pays scant attention to meaning-making in …

Tate Papers

Tangentially: The Archive and the Bathroom

Jo Melvin, Victoria Worsley and Lucy Gunning

This paper discusses the role of the archive in relation to the artistic process, through the work of Lucy Gunning, …

Tate Papers

Merzzeichnung: Typology and Typography

Michael White

When Kurt Schwitters began making collages in 1918, the initial term he used to describe them was Merzzeichnungen (Merz drawings). …

Tate Papers

Surviving Reality: Lee Bontecou’s Worldscapes

Jo Applin

This article focuses on American artist Lee Bonteco’s drawing practice during the early 1960s, focusing in particular on Drawing 1961. …

Tate Papers

Sir Edward Manton's Glebe: Completing the Provenance of Constable's Glebe Farm Sketch c.1830

Douglas Congdon-Martin

When John Constable’s sketch of The Glebe Farm was formally presented to Tate Britain in 2006, after the death of …

Tate Papers

‘A Wistful Dream of Far-Off Californian Glamour’: David Sylvester and the British View of American Art

James Finch

David Sylvester’s criticism from the 1950s and 1960s combined enthusiasm for the vitality of new American art with ambivalence about …

Tate Papers

Crossing Borders, Bridging Histories: Christian Weikop in conversation with Richard Demarco

This interview between Christian Weikop and the artist, gallerist and impresario Richard Demarco (born 1930) took place in Scotland on …

Tate Papers

An Unpublished Drawing by Duchamp: Hell in Philadelphia

Jennifer Mundy

This paper discusses a hitherto unpublished drawing by Marcel Duchamp (1887–1968) that relates to his masterwork The Bride Stripped Bare …

Tate Papers

Lost and Found? Hamad Butt at Tate

Andrew Cummings

This article constructs a ‘pre-history’ of °Õ²¹³Ù±ð’s acquisition of Hamad Butt’s final major installation work, Familiars. Taking into account …

Tate Papers

Perceptions, Processes and Practices around Learning in an Art Gallery

Emily Pringle and Jennifer DeWitt

This paper presents the findings of a research project examining the way learning is perceived by senior members of learning …

Tate Papers

Milton, Lucy Hutchinson, and the Lucretian Sublime: The Sublime Object

David Norbrook

³¢³Ü³¦°ù±ð³Ù¾±³Ü²õ’s De rerum natura is a neglected source for the emergence of the theory and practice of the sublime in …

Tate Papers

Joseph Beuys and EURASIA

Victoria Walters

In this paper Victoria Walters addresses Joseph Beuys’s interest in the notion of Eurasia – Europe and Asia as a …

Podcast

The Art of Change

What can we do with racist art?

Tate Papers

Andrei Tarkovsky and Contemporary Art: Medium and Mediation

Robert Bird

The rediscovery of the Soviet film director Andrei Tarkovsky (1932–1986) as an artist in the cinema allows us to see …

Tate Papers

Curving Round: David Sylvester and the ‘Rediscovery’ of David Bomberg

Lee Hallman

Lee Hallman considers how David Sylvester’s role in the rehabilitation of David Bomberg’s reputation in the 1950s and 1960s illuminates …

Tate St Ives Artists Programme

Providing a productive environment which values experimentation and risk, discussion and debate

Tate Papers

Vong Phaophanit’s Neon Rice Field: Towards a Microhistory of its Acquisition and Interpretation

susan pui san lok

This article examines °Õ²¹³Ù±ð’s acquisition and interpretation of artworks by Vong Phaophanit and his long-term collaborator, Claire Oboussier. Drawing on …

Tate Papers

Joseph Pennell and the Anglo-American Construction of New York

Margaret J. Schmitz

American printmaker Joseph Pennell’s iconic New York imagery is the focus of this article, including an exploration of his efforts …

Tate Papers

The 'Comic Sublime’ : Eileen Agar at Ploumanac’h

Ian Walker

In 1936 the English surrealist Eileen Agar photographed the extraordinary rock formations at Ploumanac'h in Brittany. This paper examines the …

Artwork
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