Showing 1,681–1,700 of 1,701 results for self-portrait
Memory and the Aesthetics of Military Experience: Viewing the Landscape of the Anglo-Mysore Wars
Examining landscape imagery produced after the third Anglo-Mysore War (1789–92), Rosie Dias argues that these works oscillated between memorialisation, personal …
Contemporary Art and the Role of Interpretation
Recent research indicates that the taught curriculum in art and design secondary school education pays scant attention to meaning-making in …
Tangentially: The Archive and the Bathroom
This paper discusses the role of the archive in relation to the artistic process, through the work of Lucy Gunning, …
Merzzeichnung: Typology and Typography
When Kurt Schwitters began making collages in 1918, the initial term he used to describe them was Merzzeichnungen (Merz drawings). …
Surviving Reality: Lee Bontecou’s Worldscapes
This article focuses on American artist Lee Bonteco’s drawing practice during the early 1960s, focusing in particular on Drawing 1961. …
Sir Edward Manton's Glebe: Completing the Provenance of Constable's Glebe Farm Sketch c.1830
When John Constable’s sketch of The Glebe Farm was formally presented to Tate Britain in 2006, after the death of …
‘A Wistful Dream of Far-Off Californian Glamour’: David Sylvester and the British View of American Art
David Sylvester’s criticism from the 1950s and 1960s combined enthusiasm for the vitality of new American art with ambivalence about …
Crossing Borders, Bridging Histories: Christian Weikop in conversation with Richard Demarco
This interview between Christian Weikop and the artist, gallerist and impresario Richard Demarco (born 1930) took place in Scotland on …
An Unpublished Drawing by Duchamp: Hell in Philadelphia
This paper discusses a hitherto unpublished drawing by Marcel Duchamp (1887–1968) that relates to his masterwork The Bride Stripped Bare …
Lost and Found? Hamad Butt at Tate
This article constructs a ‘pre-history’ of °Õ²¹³Ù±ð’s acquisition of Hamad Butt’s final major installation work, Familiars. Taking into account …
Perceptions, Processes and Practices around Learning in an Art Gallery
This paper presents the findings of a research project examining the way learning is perceived by senior members of learning …
Milton, Lucy Hutchinson, and the Lucretian Sublime: The Sublime Object
³¢³Ü³¦°ù±ð³Ù¾±³Ü²õ’s De rerum natura is a neglected source for the emergence of the theory and practice of the sublime in …
Joseph Beuys and EURASIA
In this paper Victoria Walters addresses Joseph Beuys’s interest in the notion of Eurasia – Europe and Asia as a …
The Art of Change
What can we do with racist art?
Andrei Tarkovsky and Contemporary Art: Medium and Mediation
The rediscovery of the Soviet film director Andrei Tarkovsky (1932–1986) as an artist in the cinema allows us to see …
Curving Round: David Sylvester and the ‘Rediscovery’ of David Bomberg
Lee Hallman considers how David Sylvester’s role in the rehabilitation of David Bomberg’s reputation in the 1950s and 1960s illuminates …
Tate St Ives Artists Programme
Providing a productive environment which values experimentation and risk, discussion and debate
Vong Phaophanit’s Neon Rice Field: Towards a Microhistory of its Acquisition and Interpretation
This article examines °Õ²¹³Ù±ð’s acquisition and interpretation of artworks by Vong Phaophanit and his long-term collaborator, Claire Oboussier. Drawing on …
Joseph Pennell and the Anglo-American Construction of New York
American printmaker Joseph Pennell’s iconic New York imagery is the focus of this article, including an exploration of his efforts …
The 'Comic Sublime’ : Eileen Agar at Ploumanac’h
In 1936 the English surrealist Eileen Agar photographed the extraordinary rock formations at Ploumanac'h in Brittany. This paper examines the …