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Showing 1,701–1,720 of 3,511 results

Tate Papers

‘A gallery in the mind’? William Hazlitt, Edmund Spenser and the Old Masters

Luisa Calè

This essay explores the associations made by William Hazlitt between the work of the Elizabethan poet Edmund Spenser and paintings …

Tate Papers

Critical Dilation: How William Hazlitt Judged Paintings

Paul Hamilton

For William Hazlitt paintings become politically charged when their self-contained worlds make us aware of our creative potential for renewing …

Tate Papers

‘Truth of Character from Truth of Feeling’: William Hazlitt, ‘Gusto’ and the Linguistic History of Writing on Art

Paul Tucker

Adapting and applying speech act theories of language use, this paper offers a new understanding of the innovative import of …

Tate Papers

Commitment and Desire in Sharon Hayes’s Ricerche: three 2013

Larne Abse Gogarty

This article examines Sharon Hayes’s video work Ricerche: three 2013 and the way it represents and mediates the often-painful psychic …

Tate Papers

The Aesthetics of Collaboration: Complicity and Conversion at MIT’s Center for Advanced Visual Studies

John R. Blakinger

This essay uses new archival sources to reconstruct the aesthetics – and ethics – of collaboration at Gyorgy Kepes’s Center …

Tate Papers

Lives in Exchange: The Collaborative Video Tapes of Lynda Benglis and Robert Morris

James Boaden

In 1972 the artists Lynda Benglis and Robert Morris swapped videotapes made collaboratively in each other’s studios to create new …

Tate Papers

I’ll Show You Mine, If You Show Me Yours: Collaboration, Consciousness-Raising and Feminist-Influenced Art in the 1970s

Amy Tobin

This paper discusses two feminist-influenced collaborative art projects: London/LA Lab 1981 and Postal Art Event 1975–7. It reflects on how …

Tate Papers

‘The Whole Question of Plinths’ in Barbara Hepworth’s 1968 Tate Retrospective

Eleanor Clayton

In 1968 Barbara Hepworth was honoured with a significant retrospective at the Tate Gallery. This paper offers a close reading …

Tate Papers

The Fall of Anarchy : Politics and Anatomy in an Enigmatic Painting by J.M.W. Turner

Sam Smiles

The subject of Turner’s mysterious unfinished painting, known today as Death on a Pale Horse, is a problem that …

Tate Papers

Value and Audience Relationships: °Õ²¹³Ù±ð’s Ticketed Exhibitions 2014–15

Mariza Dima

In this report Mariza Dima sets out the findings of a research project examining the experiential and educational value of …

Tate Papers

Through The Large Glass : Richard Hamilton’s Reframing of Marcel Duchamp

Bryony Bery

Combining art historical and technical perspectives, this paper examines Richard Hamilton’s
1965–6 reconstruction of Marcel Duchamp’s Large Glass and the …

Tate Papers

Pacing the Cell: Walking and Productivity in the Work of Bruce Nauman

Ruth Burgon

After graduating from art school in the late 1960s Bruce Nauman found himself pacing his studio, unsure how to produce …

Tate Papers

Placing Bookmarks: The Institutionalisation and De-Institutionalisation of Hungarian Neo-Avant-Garde and Contemporary Art

Maja and Reuben Fowkes

The recent interest in avant-garde art from Hungary shown by international museums such as Tate has been paralleled by transformations …

Tate Papers

Meyer Schapiro, Abstract Expressionism, and the Paradox of Freedom in Art Historical Description

C. Oliver O’Donnell

This article analyses a talk given by the American art historian Meyer Schapiro in 1956 that was broadcast on BBC …

Tate Papers

Art & Language, Transatlanticism and Conceptual Cosmopolitanism

Kevin Brazil

This essay looks at the role of transatlanticism in the early work of the conceptual art collective Art & Language, …

Tate Papers

‘A Wistful Dream of Far-Off Californian Glamour’: David Sylvester and the British View of American Art

James Finch

David Sylvester’s criticism from the 1950s and 1960s combined enthusiasm for the vitality of new American art with ambivalence about …

Tate Papers

Emerson’s Evolution

Carl Fuldner

British photographer Peter Henry Emerson’s dramatic recantation of his beliefs about photography and art forms a canonical yet perplexing episode …

Tate Papers

David Hockney’s Early Etchings: Going Transatlantic and Being British

Martin Hammer

David Hockney’s early autobiographical prints, My Bonnie Lies Over the Ocean 1961 and the series A Rake’s Progress 1961–3, are …

Tate Papers

‘Marx on the Wall’: Muralism and Anglo-American Exchange during the 1930s

Jody Patterson

This article explores English artists’ support for socially engaged public mural painting during the 1930s in relation to international developments, …

Tate Papers

Joseph Pennell and the Anglo-American Construction of New York

Margaret J. Schmitz

American printmaker Joseph Pennell’s iconic New York imagery is the focus of this article, including an exploration of his efforts …

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