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Showing 161–178 of 178 results for Barbara Ker-Seymer" theatre

Student Resource

Light and Dark Coursework Guide

Look at artworks made from light and shadow to the symbolic use of light and dark to make powerful statements

In Focus

One-Shot Painting

Alex J. Taylor

'One-shot Painting' by Alex Taylor, part of a Tate Research In Focus project on Kenneth Noland's Gift 1961–2
Tate Papers

Cinematic Drawing in a Digital Age

Ed KrÄma

Developed in relation to works by Tacita Dean and William Kentridge, this article explores the way in which the arrival …

Tate Papers

Psychosis and the Sublime in American Art: Rothko and Smithson: The Sublime Object

Timothy D. Martin

This paper addresses the work of Mark Rothko (1903–1970) and Robert Smithson (1938–1973), and, referring to the philosopher Kant and …

In Focus

California in Catastrophe

Andrew Witt

Tate Research In Focus project on Evidence 1977 by Larry Sultan and Mike Mandel
Tate Papers

Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party

Lara Pucci

The Italian Communist artist Renato Guttuso found in Picasso’s 1937 painting Guernica a language with which to confront the violence …

Tate Papers

‘A Wistful Dream of Far-Off Californian Glamour’: David Sylvester and the British View of American Art

James Finch

David Sylvester’s criticism from the 1950s and 1960s combined enthusiasm for the vitality of new American art with ambivalence about …

Tate Papers

The Framing of John °ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s Salisbury Cathedral from the Meadows

Adrian Moore

This paper examines the re-framing of John °ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s Salisbury Cathedral from the Meadows, first exhibited at the Royal Academy …

Tate Papers

Curving Round: David Sylvester and the ‘Rediscovery’ of David Bomberg

Lee Hallman

Lee Hallman considers how David Sylvester’s role in the rehabilitation of David Bomberg’s reputation in the 1950s and 1960s illuminates …

In Focus

Adam and Newman’s Beginnings

Michael Leja

In Focus project on Adam (1951, 1952) by Barnett Newman, authored by Michael Schreyach with contributions by Michael Leja and …

Workshops and conferences

Read information about the workshops hosted by the Refiguring American Art project and abstracts from the major international conference held …

Exhibition Guide

Exhibition Guide: Shape of Light

Find out more about our exhibition at ºÚÁÏÉç

Tate Etc

A sublime roller coaster ride through art history

James Hall

Discover how J.M. Turner was inspired by his artist heroes

In Focus

Hatchings: Technique as Motif

Seth McCormick

Tate Research In Focus project on Dancers on a Plane 1980–1 by Jasper Johns
Tate Papers

Pop Art and the Socialist ‘Thing’: Dušan Otašević in the 1960s

Branislav Dimitrijević

The early work of Dušan Otašević constitutes a rare example of the influence of Anglo-American pop on an eastern European …

Tate Papers

Waste to Monument: John Latham’s Niddrie Woman: Art & Environment

Craig Richardson

John Latham’s Artist Placement Group residency at the Scottish Office’s Development Agency in 1975–6 led to a series of proposals …

Tate Papers

‘No Mercenary Views’? °ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s English Landscape

Felicity Myrone

°ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s English Landscape 1830–2, a set of twenty-two mezzotints by David Lucas after paintings by the artist, has generally been …

In Focus

Surface and Style: Family Jules and 1970s Aesthetics

Anna Arabindan-Kesson

Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
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