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  • All(177,729)
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Showing 1,841–1,860 of 3,388 results

Tate Etc

Extraordinary scenes of beautifully arranged horrible wilderness: British Orientalist Painting

Briony Llewellyn

As Tate Britain mounts an exhibition of work by nineteenth-century Western artists who travelled east, Briony Llewellyn delves into the …

Tate Etc

MicroTate 13

Pae White, Peter Schjeldahl, Vincent Katz and Mary Richards

Microtate, Tate Etc issue 13; Pae White, Peter Schjeldahl, Vincent Katz and Mary Richards
Tate Etc

In the mood of the Old Masters: Balthus

Sabine Rewald

The recent Simon Sainsbury bequest that consists of a gift of five paintings to the National Gallery and thirteen to …

Tate Etc

Neuro ways of seeing: Neuroarthistory

John Onians and Eric Fernie

In his new book Neuroarthistory: From Aristotle and Pliny to Baxandall and Zeki, John Onians argues that advances in the …

Tate Etc

Nine to five: John Baldessari

Christopher Miles

The American artist John Baldessari has influenced several generations of younger artists, and has, since the 1960s, consistently renegotiated his …

Tate Etc

On the road to a state of grace: Boetti, Polke, Clemente and Taaffe

Brooks Adams

As Adams writes: "This is a tale of four contemporary art shamans, in a pre-9/11 world that could still entertain …

Tate Etc

'For want of a new territory to conquer, the fictional energies of art have penetrated into the factual and material basis of photography': Street & Studio: An Urban History of Photography

Max Kozloff

To coincide with ’s survey exhibition that explores the parallel worlds of photographs taken in the urban environment and …

Tate Etc

Immerse yourself: Dominique Gonzalez-Foerster

Penelope Curtis

Since the early 1990s Dominique Gonzalez-Foerster has created installations and interactive environments in which she evokes an atmospheric, yet often …

Tate Etc

'It Is not a lasso, an arabesque, nor a piece of spaghetti': Lucio Fontana

Francesca Pasini

Fontana saw his work as a classic representation of what he called “a spatial environment” and described it as “a …

Tate Etc

Landscapes of the mind: Mark Rothko II

Brice Marden

Simon Grant talks to Brice Marden about his enduring fascination with Rothko’s paintings.

Tate Etc

Material language: Cildo Meireles I

Frederico Morais and Cildo Meireles

The Brazilian artist is regarded as one of the leading figures in the development of conceptual art. In works that …

Tate Etc

MicroTate 14

Heimo Zobernig, Tim Lee, David Shrigley and Kay Rosen

Heimo Zobernig, Tim Lee, David Shrigley and Kay Rosen on Tate Collection works Tate Etc. issue 14
Tate Etc

My dearest Clive...: Behind the curtain

Tishani Doshi

Inspired by her mother’s love letters to her father, Tishani Doshi reads the moving correspondence in the Tate archive between …

Tate Etc

The transcendence of the image: Leonora Carrington

Lucy Skaer

A visit to the Tate not only prompts a journey to track down the Surrealist painter Leonora Carringotn at her …

Tate Etc

The whispering Zeitgeist: Caspar David Friedrich

Beat Wyss

The image of a monk standing by an empty sea soon became an icon of German Romanticism. However, in the …

Tate Etc

A careful concoction of 'push' and 'pull': Glenn Brown

Alison Gingeras and Rochelle Steiner

On the eve of Glenn Brown's solo exhibition at Tate Liverpool, Rochelle Steiner and Alison Gingeras talk about the enduring …

Tate Etc

Interview: William Kentridge at Teatro La Fenice

John Lloyd

William Kentridge was invited to make a projection on the fire screen of the Fenice opera theatre, which was primarily …

Tate Etc

More than the art world can tolerate: Otto Muehl's Manopsychotic Ballet

Philip Ursprung

Why was Otto Meuhl's 1970 performance Manopsychotic Ballet forgotten?

Tate Etc

Poem of the month: Isaac Babel Riding with Budyonny

Elaine Feinstein

Each month, Tate Etc. publishes new poetry by leading poets such as John Burnside, Moniza Alvi, Adam Thorpe, Alice Oswald …

Tate Etc

Sifting defunct modernism in search of something useful: New Modernism

Martin Herbert

‘New Modernism is rampant,’ argues Martin Herbert

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