Showing 1,941–1,960 of 3,388 results
Gazing into the watery abyss: Aquatopia: The Imaginary of the Ocean Deep at Tate St Ives
Ninety per cent of the world’s oceans remain unexplored, fuelling our fascination for and fear of the sea for centuries, …
George Frederic Watts's The Minotaur: Tate Etc. at Tate Britain / Artists' Perspectives
In celebration of the reopening of Tate Britain, Tate Etc. invited a selection of artists from around the world to …
John Constable's The Opening of Waterloo Bridge: Tate Etc. at Tate Britain / Artists' Perspectives
In celebration of the reopening of Tate Britain, Tate Etc. invited a selection of artists from around the world to …
John Martin's The Great Day of His Wrath: Tate Etc. at Tate Britain / Artists' Perspectives
In celebration of the reopening of Tate Britain, Tate Etc. invited a selection of artists from around the world to …
John Simpson's Head of a Man: Tate Etc. at Tate Britain / Artists' Perspectives
In celebration of the reopening of Tate Britain, Tate Etc. invited a selection of artists from around the world to …
Layers and players: Painting Now: Five Contemporary Artists at Tate Britain
What does it mean to be a painter today? Five artists who work with paint in varying ways and for …
Nature, buildings and people: Harry Callahan at ºÚÁÏÉç
Despite being regarded as one of the most influential figures in post-war photography, Harry Callahan's work is little known in …
On the home front: Recent Acquisition: Margaret Harrison
The pioneering feminist artist talks to Tate Etc.’s Mariko Finch about her 1977 piece Homeworkers, a politically potent work …
The seeds of destruction: Art Under Attack: Histories of British Iconoclasm at Tate Britain
Smashed stained glass windows, defaced religious statues, ashed portraits slashed with knives, sculptures blown up, watercolours defaced, art objects doused …
Tony Cragg's Stack: Tate Etc. at Tate Britain / Artists' Perspectives
In celebration of the reopening of Tate Britain, Tate Etc. invited a selection of artists from around the world to …
We can still bankrupt ourselves for love...: Private view: William Rothenstein
British photographer Chris Shaw delves into a dark, enigmatic painting in °Õ²¹³Ù±ð’s collection – William Rothenstein’s The Doll's House 1899–1900. …
The year of living dangerously – and anxiously: Etc. Essay: Art at the crossroads
The author of the celebrated book 1913: The Year Before the Storm chooses two works from the Tate collection that …
The art of noise
Almost 100 years ago, shortly before the outbreak of the First World War, the Italian Futurist Luigi Russolo proposed the …
Early one morning: Anthony Caro
Sculptors and architects both work with form in space, albeit on different scales and using varying methods. Anthony Caro, known …
He is like digging in the garden and sailing in rough winds. But the garden overgrows, the ship wrecks: August Strindberg II
August Strindberg painted such tempestuous seascapes in between his writing periods that the 1890s were known as the ‘Inferno Years’. …
Say butterfly!: Salvador Dalà II
When Diedrich Diederichsen went to Cadaquès in the late 1970s he wasn’t expecting to stumble into the surreal world of …
The detritus of the future and pleasure of the past: Ruin Lust at Tate Britain
The exhibition Ruin Lust at Tate Britain explores artists’ and subsequently photographers’ fascination with the ruin, via works from JMW …
Giorgio Griffa's Segni orizzontali, 1975: Recent aquisitions
Tate Etc. looks at a recent acquisition, currently on view at Tate Modern
Hellfire, damnation... and pudding: John Martin
The celebrated New Zealand chef Peter Gordon creates a novel recipe inspired – unexpectedly – by John Martin's apocalyptic painting …
His brilliant final chapter: Henri Matisse: The Cut-Outs
The forthcoming exhibition of Henri Matisse’s ground-breaking paper cut-outs, made between 1943 and 1954, is the most comprehensive to date. …