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Mike Nelson has transformed the grand spaces of the Duveen Galleries into something between a sculpture court and an asset strippers’ warehouse. He has carefully selected objects from the post-war Britain that framed his childhood – including enormous knitting machines, woodwork stripped from a former army barracks, graffitied steel awnings and doors from an NHS hospital.

Nelson’s project has been informed by the Duveen Galleries’ origins as the first purpose-built sculpture galleries in England, intended to rival the sculpture court at the British Museum and the V&A’s Cast Courts. It turns the neo-classical galleries into a warehouse of monuments to a lost era and the vision of society it represented.

Nelson is interested in the cultural and social contexts behind the objects he has selected, as well as their material qualities. He explains

The annual Tate Britain Commission invites artists to create a new artwork in response to the grand space of the Duveen Galleries. Artists who have previously undertaken commissions in the Duveens at Tate Britain include Anthea Hamilton, Cerith Wyn Evans and Pablo Bronstein.