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Tate Britain Exhibition

Stubbs: A celebration

21 August 2006 – 14 January 2007
George Stubbs Five Hounds in a Landscape

George StubbsFive Hounds in a Landscape

Private collection. Photo: © Tate

George Stubbs Five Hounds in a Landscape

George Stubbs Five Hounds in a Landscape

Marking the bicentenary of the death of George Stubbs (1724–1806), this special display will bring together a group of his very greatest paintings, showing the quality and range of his output as a painter of animals, of rural life, and portraits. Long admired for his paintings of horses, Stubbs's art reflects an age of innovation and change in British culture. The selection will draw attention to his treatment of 'exotic' animals, imported from abroad, his precise approach to portraiture, his technical daring, and his enduring images of the British countryside.

The display comprises of around thirty works, drawn from the exceptional collections of the Tate and the National Museums Liverpool, with further, important loans from a number of public and private collections. The Tate and the National Museums Liverpool are the two greatest British collections of this artist's work, and the display has been made possible by the a close collaboration between these two institutions, and the Frick Collection, New York, where the show travels in 2007.

This display is showing at the , National Museums Liverpool, 7 April to 30 July 2006, prior to Tate Britain.

Tate Britain

Millbank
London SW1P 4RG
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Dates

21 August 2006 – 14 January 2007

Sponsored by

BP

Find out more

  • Stubbs, Walpole and Burke: Convulsive Imitation and ‘Truth Extorted’

    Aris Sarafianos

    This essay examines the relationship between George Stubbs’s Lion and Horse series of paintings and the redefinition of the sublime given by the philosopher Edmund Burke in his famous treatise of 1757. It argues that Stubbs sought to provide visual equivalents for Burke’s maximalist languages of neuro-physiological description of viewing experiences, exploring the visual implications of the novel concepts of sympathy, pain, contractility and expression in ways that help explain the unconventional intensity of his images.

  • Artist

    George Stubbs

    1724–1806
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