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Introductions

Patrick Goddard, Animal Antics, 2021, 4K video, b/w, 5.1 sound, 37 min 54 sec

Patrick Goddard’s Animal Antics is a philosophical and comical short story. Shot at the London Zoo, the film portrays the conversations between Sarah, a young human, and Whoopsie, her talking dog, about the troubled state of nature.

Roman Selim Khereddine, behind a thousand bars no world, 2023, colour video, 20 min 38 sec

Roman Selim Khereddine’s behind a thousand bars no world discloses the state of zoological gardens in Palestine through news and reports written about them in the media. The film reflects on the conditions of confinement, territorial deprivation and impoverished living conditions experienced by animals and humans.

Jeannette Muñoz, Strata of Natural History, 2012, 16mm film, 11 min 45 sec

Jeannette Muñoz’s Strata of Natural History poetically portrays the artist’s search for traces of the Kawéskar indigenous people exhibited in European zoos during the 1880s. Combining archival materials and present-day footage to entangle Chile’s past and present naturecultures (a concept, coined by Donna Haraway, that assumes that nature and culture are co-dependent and cannot be separated).

Simone Forti, Untitled, 1974, VHS tape transferred to black and white video, 29 min

Closing the programme, Simone Forti’s Untitled is a rare documentation of her engagement with zoo animals. Shots of animals in captivity alternate with images of Forti. Locked up in an empty indoor space, she moves like a zoo animal: crawling, striding, endlessly pacing back and forth.

Conversations between Filipa Ramos and the filmmakers

Lisbon-born Filipa Ramos, Ph.D., is a writer and curator whose research focuses on how culture addresses ecology. She is Lecturer at the Institute Art Gender Nature in Basel, curator of Art Basel Film and founded the online artists’ cinema Vdrome. She edited Animals (MIT Press/Whitechapel, 2018), curated “Animalesque” (2019) (Baltic, Gateshead), and in 2024 she curated “Bestiarium”, the Catalan Pavilion at the 2024 Venice Biennale.

You can enter via the Cinema entrance, left of the Turbine Hall main entrance, and into the Natalie Bell Building on Holland Street, or into the Blavatnik Building on Sumner street. The Starr Cinema is on Level 1 of the Natalie Bell Building. There are lifts to every floor of the Blavatnik and Natalie Bell buildings. Alternatively, you can take the stairs. There is space for wheelchairs and a hearing loop is available. All works screened in the Starr Cinema have English captions.

• Fully accessible toilets are located on every floor on the concourses.
• A quiet room is available to use in the Natalie Bell Building on Level 4.
• Ear defenders can be borrowed from the Ticket desks.

To help plan your visit to ������, have a look at our visual story. It includes photographs and information about what you can expect from a visit to the gallery.

For more information before your visit:

• Email hello@tate.org.uk
• Call +44 (0)20 7887 8888 (daily 10.00–17.00)

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