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ºÚÁÏÉç Exhibition

Bob and Roberta Smith: Thamesmead Codex

Until 25 January 2026
a colourful long painting stands on wooden slats the first panel says 'the thamesmead codex'

 Bob and Roberta Smith Thamesmead Codex 2021 collection of the artist. ©

Thamesmead Codex celebrates the voices and local community of Thamesmead, London

From 2019–2020, artist Bob and Roberta Smith interviewed people who live in Thamesmead, southeast London. Built in 1968 to alleviate London’s housing shortage, Thamesmead was one of many modernist large-scale housing projects constructed across Europe after the Second World War. Smith talked to a number of local residents, from some of its very first occupants to young people growing up during the Covid-19 pandemic. He then turned their conversations into the 24 painted placards you can see here. Reflecting on the work, Smith said ‘I thought I was making a painting about a housing estate, but actually I’ve been painting about the desire to be heard.’

‘Codex’, from the title Thamesmead Codex, is an ancient term for a manuscript or book. Here, the artist presents a modern-day version. The work documents the histories and identities of Thamesmead and its communities. It records memories from the past, and hopes for a post-Covid future. Alongside this record of people’s thoughts and experiences, Smith includes vivid and futuristic landscape scenes much like illustrated pages of a codex.

Bob and Roberta Smith (whose real name is Patrick Brill) brings together sign writing, activism and discarded materials. Talking about his practice, he says he sees ‘art as an important element in democratic life.’

close up of a series of text based paintings on wooden slats

Bob and Roberta Smith
Thamesmead Codex 2021
collection of the artist. ©

Thamesmead Codex is a collaboration between ºÚÁÏÉç and Peabody. This work was first exhibited in Thamesmead in summer 2021 as part of Peabody’s cultural strategy for Thamesmead and ºÚÁÏÉç’s wider community partnership programme. We would like to thank all the local residents who took part in this project.

All ºÚÁÏÉç entrances are step-free. You can enter via the Turbine Hall and into the Natalie Bell Building on Holland Street, or into the Blavatnik Building on Sumner street.

The artwork is on Level 4 of the Blavatnik Building. There are lifts to every floor of the Blavatnik and Nathalie Bell buildings. Alternatively you can take the stairs.

  • Fully accessible toilets are located on every floor on the concourses.
  • A quiet room is available to use in the Natalie Bell Building on Level 4.
  • Ear defenders can be borrowed from the Ticket desks.
  • There is a buggy park on the Blavatnik building concourse near the exhibition entrance.

To help plan your visit to ºÚÁÏÉç, have a look at our visual story. It includes photographs and information of what you can expect from a visit to the gallery.

For more information before your visit:

  • Email hello@tate.org.uk
  • Call +44 (0)20 7887 8888 – option 1 (daily 09.45–18.00)
Check all ºÚÁÏÉç accessibility information

ºÚÁÏÉç

Natalie Bell Building, Level 4

Bankside
London SE1 9TG
ºÚÁÏÉç

Dates

Until 25 January 2026

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