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ºÚÁÏÉç talks_lectures

Boris Charmatz

24 September 2012 at 19.30–21.00
Boris Charmatz Flip Book 2010

Boris CharmatzFlip Book 2010

© The artist Photo: Benoîte Fanton

In advance of the presentation of Flip Book as part of the Tanks: Live programme, Boris Charmatz will discuss his work as it relates to performance histories and the idea of a museum collection.

Performance Credits: Flip Book

Conception: Boris Charmatz
With: Boris Charmatz, Raphaëlle Delaunay, Olga Dukhovnaya, Christophe Ives, Olivia Grandville, Mani A. Mungai
Guest artist : Valda Setterfield
Sound: Pascal Quéneau
Light: Yves Godin

Duration: 40 min

This event is organised as part of the research network Collecting the Performative

Part of the series The Tanks: Art in Action

ºÚÁÏÉç

Starr Cinema

Bankside
London SE1 9TG
ºÚÁÏÉç

Date & Time

24 September 2012 at 19.30–21.00

Find out more

  • Collecting the Performative, the fourth network meeting

    Collecting the Performative

    A research network examining emerging practice for collecting and conserving performance-based art

  • Boris Charmatz, Flip Book performed in 2012

    Boris Charmatz: Flip Book

    French dancer and choreographer Boris Charmatz explores significant moments in the history of performance art in The Tanks ºÚÁÏÉç

  • The Tanks at ºÚÁÏÉç festival banner

    Performance Year Zero

    Performance Year Zero presents a series of works by comtemporary artists exploring the history of performance as a form of language of gesture, passed through one generation of artist to the next

  • Performance and Performativity

    ‘Performance and Performativity’ is an interdisciplinary research initiative examining the entwined concepts of performance and performativity, and their application in the field of contemporary art and culture. 

  • NeCCAR: Network for Conservation of Contemporary Art Research

    This three-year international research network funded by the Netherlands Organisation for Scientific Research (NWO) aims to develop joint research projects and a training curriculum on the theory, methodology and ethics of the conservation of contemporary art.

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