������

Thursday 20 January, 18.00–22.30 GMT

Session 1, 18.00–20.00 GMT
Surrealism and Place

Looking transnationally and transhistorically, how has Surrealism been shared, adopted, or adapted across cultures, countries, and groups? What kinds of challenges exist in bridging languages, whether they be verbal, visual, or cultural? What issues should we consider in how Surrealism has been translated and transmitted? How might incommensurability play a role in histories of Surrealism? Is there potential productivity in ‘mis-translation’? How do these activities further or prevent access and reproducibility?

Speakers:

• , Associate Director and Clinical Associate Professor, XE: Experimental Humanities and Social Engagement, New York University
• , Professor of Visual Culture, Norwich University of the Arts
• , Professor of Art History, University of California, Davis
• , Assistant Professor, Department of English, Louisiana State University
• Mark Polizzotti, Publisher and Editor in Chief, The Met; author and translator
• Moderated by , Professor, History of Art, University of Michigan

Session 2, 21.00–22.30 GMT
On Black, Brown & Beige

Speakers in this panel reflect on the landmark publication Black, Brown & Beige: Surrealist Writings from Africa and the Diaspora (2009), co-edited by Franklin Rosemont and Robin D. G. Kelley, which was the first to acquaint readers around the world with Black Surrealists.

Speakers:

• , Distinguished Professor and Gary B. Nash Endowed Chair in U.S. History, University of California, Los Angeles
• , Professor, Department of Performance Studies and Comparative Literature, Tisch School of the Arts, New York University
• Moderated by , Associate Professor of English, University of Pennsylvania

Friday, January 21, 15.00–18.00 GMT

Session 3, 15.00–17.00 GMT
Surrealism and Time

How have conventions of narrating history, periodisation and chronology complicated a transnational and transhistoric view of Surrealism? Understanding that time is experienced differently in places and among cultures, can Surrealism be a potential bridge? How might we reconcile positions that were radical in the historic past (around issues of colonialism, appropriation, imperialism, racism, sexism, and further restrictions on artists’ freedoms) with today’s critical reassessments of Surrealism and within current discussions of racial and social equity?

Speakers:

• , artist
• Marie Mauzé, Emeritus Director of Research, Laboratory of Social Anthropology, Collège de France
• , art historian and writer
• , Professor of Critical Practice and Visual Studies, College for Creative Studies
• Moderated by , Emeritus Professor, School of Philosophy and Art History, University of Essex

Closing Discussion, 17.00—17.45 GMT

Speakers:

• , Emeritus Professor, School of Philosophy and Art History, University of Essex
• , Professor, History of Art, University of Michigan
• ,, Associate Professor of English, University of Pennsylvania