Library and Archive Reading Rooms
View by appointment- Created by
- Oskar Kokoschka 1886–1980
- Recipient
- Dr J. P. Hodin
- Title
- Letter from Oskar Kokoschka to J.P. Hodin
- Date
- 23 January 1962
- Format
- Document - correspondence
- Collection
- Tate Archive
- Acquisition
- Accepted by HM Government in lieu of inheritance tax and allocated to Tate, 2006. Accrual presented by Annabel Hodin, 2020
- Reference
- TGA 20062/4/199/3/5
Description
[Translation/transcription]
Villeneuve
23 January 1962
My dear Master Pepi
I'd be very glad if you would blow a trumpet for Maulbertsch in England, but please don't omit anything other than these lines: 'And so my sincere (Â…) is comparable to Mozart's.' Which should instead read: 'It is high time that people in England were made aware of the singular importance of this (Â…) is comparable to Mozart's.' You could title the essay something like this: 'Why came Baroque art in collision with the new bourgoisie class?' It's very important to me that this well nailed shoe should strike the backside of our esteemed public, so I would ask you not to abbreviate or unnail it. Since the latter pages contain a few typographical errors that the poor Amalthea was unable to rectify before his death, it would be good if you could send a translation to me before you submit it to the magazines you mention.
What's happening about a German translation of my Appeal for a Decent Peace? And where's all the champagne?
Embrace my beautyfull one (and her little witch) and yourself, from your always affectionate OK
Come and visit at easter!
Archive context
- Papers of Josef Paul Hodin TGA 20062 (407)
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- Correspondence by sender TGA 20062/4 (275)
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- Correspondence between Oskar Kokoschka and J.P. Hodin TGA 20062/4/199 (112)
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- Correspondence from Oskar Kokoschka to J.P. Hodin, 1960-9 TGA 20062/4/199/3 (43)
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- Letter from Oskar Kokoschka to J.P. Hodin TGA 20062/4/199/3/5