ºÚÁÏÉç

Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • ºÚÁÏÉç
    ºÚÁÏÉç Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo
  • Art and Artists
  • Tate Archive
  • Collections of Digitised Archive Items
  • Personal and professional papers of Jacques Lipchitz
  • Correspondence
  • Correspondence to and from Jacques Lipchitz
  • Correspondence between ‘The Barnes Foundation’ and Jacques Lipchitz
  • Letter from ‘The Barnes Foundation’ to Jacques Lipchitz

recipient: Jacques Lipchitz

Letter from ‘The Barnes Foundation’ to Jacques Lipchitz

27 January 1926

Image released under Creative Commons CC BY-NC-ND 4.0 DEED

In Tate Britain

Library and Archive Reading Rooms

View by appointment
Recipient
Jacques Lipchitz 1891–1973
Title
Letter from ‘The Barnes Foundation’ to Jacques Lipchitz
Date
27 January 1926
Format
Document - correspondence
Collection
Tate Archive
Acquisition
Presented to Tate Archive by Rubin Lipchitz, March 1989; the cataloguing and selective digitisation of this archive collection was supported by Mr Timm Bergold, 2023
Reference
TGA 897/1/1/31/1

Description

Letter signed by Paul Philippe Cret of the 'Barnes Foundation' to Jacques Lipchitz on details of the decorations commissioned to him.

Full text (in translation):
'Mr Jacques Lipchitz,
9 Allee des Pins, Boulogne sur Seine, France.
Dear Sir,
Your letters sent on the 7th of January asks for a few details regarding the drawings of buildings for 'Barnes Foundation'.
1: I don't think that we can notch the rock on the oval alcove without breaking the rock. The easiest way is to completely remove the unit in Coutarnoux and to replace it with your bas-relief in Pouillenay. This bas-relief can have any profile that you like.
The maximum thickness of the bas-relief is given on the sketch attached.
The ellipse shape with details on its sizes. While taking dimensions in person, Madam Barnes founds that the stonecutter moved away slightly from the dimensions of the sketch, consequently the two dimensions need to be corrected as it is shown in red on the sketch.
For the vase, please find attached a sketch of the alcove with the main dimensions.

Best wishes, PPCW.Paul P Cret'

Read more

Archive context

  • Personal and professional papers of Jacques Lipchitz TGA 897 (451)
    • Correspondence TGA 897/1 (212)
      • Correspondence to and from Jacques Lipchitz TGA 897/1/1 (183)
        • Correspondence between ‘The Barnes Foundation’ and Jacques Lipchitz TGA 897/1/1/31 (2)
          • Letter from ‘The Barnes Foundation’ to Jacques Lipchitz TGA 897/1/1/31/1
Artwork
Close

Join in

Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google and apply.

°Õ²¹³Ù±ð’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • ARTIST ROOMS
  • Tate Kids

Support

  • ºÚÁÏÉç
  • Patrons
  • Donate
  • Corporate
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved