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  • Negatives of 1267 photographs taken by Paul Nash

Negatives of 1267 photographs taken by Paul Nash

1930–46

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Available online are a set of photographs taken by Paul Nash. Paul Nash began working regularly with a camera in 1930 when he was forty-one, and continued until his death in 1946. His camera was an American-made No. 1A pocket Kodak series 2 - a present from his wife, Margaret, when he went to America in 1931. Many of his photographs show a similar interest in unusual compositions and the same sort of response to the beauty and mystery of the English landscape. They cover many topics from aerodromes, aircraft and aeroplane parts, animals, and archaeological sites and ruins to roads, rock studies, steps, trees, and walls. Nash would often use his photographs as source material for his paintings and direct connections can be made between these images and final artwork, such as the images of wrecked aircraft at Cowley dump, Oxford and the painting Totes Meer (Dead Sea) 1940-1 (Tate, N05717)

Collection Owner
Paul Nash 1889–1946
Collection
Tate Archive
Acquisition
Presented by the Paul Nash Trust 1970
Reference
TGA 7050PH

1,268 objects in this collection

  • Negatives of 1267 photographs taken by Paul Nash

    1,268 Objects

Title
Negatives of 1267 photographs taken by Paul Nash
Date
1930–46
Description
Available online are a set of photographs taken by Paul Nash. Paul Nash began working regularly with a camera in 1930 when he was forty-one, and continued until his death in 1946. His camera was an American-made No. 1A pocket Kodak series 2 - a present from his wife, Margaret, when he went to America in 1931. Many of his photographs show a similar interest in unusual compositions and the same sort of response to the beauty and mystery of the English landscape. They cover many topics from aerodromes, aircraft and aeroplane parts, animals, and archaeological sites and ruins to roads, rock studies, steps, trees, and walls. Nash would often use his photographs as source material for his paintings and direct connections can be made between these images and final artwork, such as the images of wrecked aircraft at Cowley dump, Oxford and the painting Totes Meer (Dead Sea) 1940-1 (Tate, N05717)
Reference
TGA 7050PH

Showing 1,241–1,260 of 1,268 objects

Black and white negative, stone wall and Worth Matravers, study II

Paul Nash
°Ú³¦.1936–7±Õ

Black and white negative, a gazebo and a stone wall, Whitecliff Manor Farm

Paul Nash
°Ú³¦.1933–5±Õ

Black and white negative, an opening in a stone wall, study I

Paul Nash
°Ú³¦.1934–5±Õ

Black and white negative, an opening in a stone wall, study II

Paul Nash
°Ú³¦.1933–5±Õ

Black and white negative, the sea wall, Dymchurch, Kent

Paul Nash
1932

Black and white negative, a lighthouse on the coast, town in the distance

Paul Nash
°Ú³¦.1933–4±Õ

Black and white negative, a road in Wales

Paul Nash
1939

Black and white negative, a road in Wales

Paul Nash
1939

Black and white negative, garden walls, Bath

Paul Nash
1940

Black and white negative, a stone wall, overgrown structure, Forest of Dean

Paul Nash
1938

Black and white negative, a stone wall, overgrown structure, Forest of Dean

Paul Nash
1938

Black and white negative, a stone wall, overgrown structure, Forest of Dean

Paul Nash
1938

Black and white negative, Kelmscott Manor, a garden wall, outbuildings and a house

Paul Nash
1941

Black and white negative, the park wall, Ascott Manor, Stadhampton, Oxfordshire

Paul Nash
date not known

Black and white negative, the park wall, Ascot Manor, Stadhampton, Oxfordshire

Paul Nash
date not known

Black and white negative, a haystack, Oxfordshire

Paul Nash
date not known

Black and white negative, a haystack, Oxfordshire

Paul Nash
date not known

Black and white negative, haystacks, Oxfordshire

Paul Nash
date not known

Black and white negative, a landscape at Bledlow, a wooden gate and a wall

Paul Nash
[c.1932]

Black and white negative, a hollow tree trunk and a loose stone brick wall beside a road

Paul Nash
date not known
Artwork
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