
Anselm Kiefer
Heroic Symbols聽(Heroische Sinnbilder) 1969
Photograph, black and white, on paper
Tate and National Galleries of Scotland, Edinburgh
漏 Anselm Kiefer
The most detailed investigation of this photographic series to date, this In Focus explores the ongoing use of the prints in Kiefer鈥檚 work and positions Heroic Symbols in the wider cultural and political context of post-war聽Germany.
Anselm Kiefer
Heroic Symbols聽(Heroische Sinnbilder) 1969
Photograph, black and white, on paper
Tate and National Galleries of Scotland, Edinburgh
漏 Anselm Kiefer
Anselm Kiefer鈥檚聽Heroic Symbols聽photographs document a series of art 鈥榓ctions鈥�, undertaken in 1969, which involved the artist performing the taboo聽Sieg Heil聽salute in private and public spaces in various European locations. Several hundred photographs were taken, but only some were developed at the time. Those that were printed were utilised for various purposes: they featured in Kiefer鈥檚 unique book projects made later that same year, provided motifs for large-scale paintings he produced in 1970, and were published as a photo-essay in the conceptual art magazine聽滨苍迟别谤蹿耻苍办迟颈辞苍别苍听in 1975. The photographs have since been reused by Kiefer for mixed media artworks and installations, and since 2007 he has enlarged many more photographs from the original聽negatives.
This In Focus examines Kiefer鈥檚 motivations for performing such a taboo gesture and analyses the difficult reception of the聽Sieg Heil聽鈥榓ction鈥�. It discusses the work in relation to the artist鈥檚 mentors and peers, particularly Joseph Beuys, and considers Kiefer鈥檚 performance as a reflection of the post-war German societal and psychological condition 痴别谤驳补苍驳别苍丑别颈迟蝉产别飞盲濒迟颈驳耻苍驳聽(鈥榗oming to terms with聽the聽past鈥�).
Published in February 2016, the project is authored by Dr Christian Weikop (University of Edinburgh) and includes contributions from Dr Lara Day (Artsy, Berlin) and Dr Hannah Abdullah (Goethe-Institut, New聽York).
滨厂叠狈听978-1-84976-417-9