Showing 781–800 of 1,935 results for spring
A Prophetic Image: by Hannah Starkey
The photographer reflects on the degree-show picture that paved the way for all her future work
Topher Campbell
In the artist’s ‘archive of emotion’ there is humour, sex and the preservation of Black queer life
Top Five: Christelle Oyiri
From silicone handbags to Caribbean cinema, the multimedia artist and DJ (aka Crystallmess) shares her current obsessions
Negative Process
James Nisbet on Salt Flat 1968 by Dennis Oppenheim | part of a Tate In Focus study
David Hockney’s Early Etchings: Going Transatlantic and Being British
David Hockney’s early autobiographical prints, My Bonnie Lies Over the Ocean 1961 and the series A Rake’s Progress 1961–3, are …
Johns and Cunningham: Dancing on a Plane
Tate Research In Focus project on Dancers on a Plane 1980–1 by Jasper Johns
Let's Do It Together
To coincide with the retrospective exhibition of influential American artist Robert Rauschenberg (1925–2008) – whose six-decade career spanned painting, sculpture, …
Rembrandt and Reality
Tate In Focus project exploring The Doll’s House 1899–1900 by William Rothenstein
Tel Quel and the Subject of American Painting: Marcelin Pleynet and James Bishop
During the 1960s and 1970s, a group of writers and artists associated with the influential Parisian review Tel Quel developed …
Insights into Eva Hesse’s Working Practice: A Technical Study of Addendum 1967
Eva Hesse created her sculpture Addendum in 1967, at a time when she was experimenting with and exploring new materials …
Time for a New Renaissance?
History shows that periods of suffering and isolation can lead to great art. Chris Sharratt asks how artists might respond …
A Belated ‘Breakthrough’ to Abstraction
In Focus study by AnnMarie Perl on Meryon 1960–1 by Franz Kline, a Tate Research publication
The poet of life and sculpture: Barry Flanagan I
He may be best known for his bronze hare sculptures, but Flanagan’s early work using a variety of media such …
Drawing in the Dark: Involuntary Drawing
Susan Morris approaches the subject of involuntary drawing from the point of view of an artist trying to make a …
Military Avoidance: Marcel Duchamp and the 'Jura-Paris Road'
The essay traces military relationships in the work of Marcel Duchamp (1887–1968), paying particular attention to his notes of 1912 …
Cultural Identity
Explore the importance of the development of 'Cultural Identity' to the artists within ARTIST ROOMS
Glenn Ligon born 1960 Condition Report 2000
As part of Performance at Tate: Into the Space of Art, Jonah Westerman explores Glenn Ligon's Condition Report 2000
Conserving Tony Conrad
Join Tate researchers, conservators and curators as they attempt to conserve and recreate a complex performance artwork