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  • All(7,750)
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Showing 1,301–1,320 of 1,971 results for spring

Tate Papers

Conserving Mark Rothko’s Black on Maroon 1958: The Construction of a ‘Representative Sample’ and the Removal of Graffiti Ink

Bronwyn Ormsby and Rachel Barker

This paper describes the preparation of a ‘representative sample’ and the investigation and refining of the solvent system used to …

Tate Papers

Madame Zborowska and Portrait of a Student: A Case Study of Two Paintings Not Included in Ambrogio Ceroni’s Modigliani Publication of 1970

Simonetta Fraquelli, Vivien Greene, Annette King, Lena Stringari and Joyce H. Townsend

Two of Modigliani’s portraits made between 1918 and 1919 were not included in the most widely accepted catalogue of the …

Tate Etc

We believe that taste doesn't apply to the honesty of exaggeration: Martin Kippenberger

Daniel Baumann

Associated with the culture of refined abandon is the idea that art and alcohol are related, ending in tragically romantic …

Tate Papers

‘New Ways of Modern Bohemia’: Edward Burra in London, Paris, Marseilles and Harlem: Rothenstein Lecture

Andrew Stephenson

Paying close attention to Edward Burra’s letters, scrapbooks and other archival material, Andrew Stephenson reveals the impact that the cosmopolitan …

Read

The Craze for Pastel: Essay

Ruth Kenny

Ruth Kenny's essay on The Craze for Pastel in conjunction with a 2014 BP Spotlight display at Tate Britain on …
Essay

Portrait of a Lady, Called Elizabeth, Lady Tanfield 1615, British School 17th Century

Joyce H. Townsend and Rica Jones

Tate Papers

Sugar, Salt and Curdled Milk: Millais and the Synthetic Subject

Carol Jacobi

This article examines the sexual imagery of particular paintings by the Pre-Raphaelite painter John Everett Millais. It argues that criticism …

Tate Etc

How I learned to see: Richard Deacon at Tate Britain

Simon Grant1

The leading British sculptor Richard Deacon (born 1949), who first gained international prominence in the early 1980s, is the subject …

Tate Papers

The Sublime Plurality of Worlds: Lucretius in the Eighteenth Century

Anne Janowitz

This paper discusses Lucretian themes in the idea of a ‘cosmic sublime’ in the context of the discourse of the …

Tate Papers

Frank Bowling: Material Explorations

Laura Homer

This paper establishes a technical art history of the paintings of Frank Bowling and chronicles materials and techniques used by …

Tate Papers

‘Fire and Water’: Turner and Constable in the Royal Academy, 1831

David Blayney Brown

Pictures by John Constable and J.M.W. Turner hung side by side in the Royal Academy in 1831, an arrangement orchestrated …

Tate Papers

Time-Lines: Rilke and Twombly on the Nile

Mary Jacobus

Cy Twombly’s remark that ‘lines have a great effect on painting’ resonates not only with his graphic practice but with …

Bloomberg Philanthropies and Tate

This longstanding partnership has supported Tate since 2000, enabling us to deliver art to widespread audiences in more accessible ways. …

List

Five Artworks Inspired by St Ives

See St Ives and the surrounding Cornish landscape through the eyes of the artists who made the area their home

TateShots

Grayson Perry: Turner Prize retrospective

Known mainly for his ceramic vases and cross-dressing, the English artist was the Turner Prize winner in 2003

Interview

In Conversation with Joanna Piotrowska

The Art Now artist talks to us about her motivation, inspiration and how she makes art that is relevant to …

List

Four Principles Behind Naum Gabo’s Art

Learn how Naum Gabo shaped his art through a clearly defined set of guidelines

Student Resource

Ritual Coursework Guide

What is a ritual? Discover how ritual has been used as a theme in art

Interview

Ghislaine Leung: ‘We are always holding and being held’

Watch the installation of the artist’s work Violets 2 at Towner Eastbourne

Barbara Hepworth Museum visual story

A step-by-step visual and written guide to help you plan your visit

Artwork
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