Showing 121¨C140 of 180 results for autumn
Between Text and Image in Kandinsky¡¯s Oeuvre: A Consideration of the Album Sounds
Focusing on the album of poetry and woodcuts called Sounds (Kl?nge), published c.1912, this paper examines how Kandinsky ¡
The Aesthetics of Collaboration: Complicity and Conversion at MIT¡¯s Center for Advanced Visual Studies
This essay uses new archival sources to reconstruct the aesthetics ¨C and ethics ¨C of collaboration at Gyorgy Kepes¡¯s Center ¡
The Painting
Tate Research In Focus project on Vanessa Bell's Abstract Painting 1914
Art During War
Tate In Focus research project exploring Parts of the Face: French Vocabulary Lesson 1961 by Larry Rivers
Unconcealment: Landmark Exhibitions Issue
Sophie Richard¡¯s analysis, published posthumously in 2009, of the role played by the networks of artists, dealers, museum curators, collectors ¡
Negative Process
James Nisbet on Salt Flat 1968 by Dennis Oppenheim | part of a Tate In Focus study
The Printed Collage
The Printed Collage, part of an In Focus research project on String Composition 128 1964 by Sue Fuller, authored by ¡
Archiving the Uncollectable: Museum Education and Memory Loss
Memory loss, struggles in communicating our work, changes in mood, apathy, confusion, difficulty in building our own storyline, a failing ¡
Hu Xiaoyuan ºúÏþæÂ
Hu Xiaoyuan (born 1977) employs a variety of media within her works, including video, performance and installations. She uses mixed ¡
The Painting
Tate Research In Focus project study on Silo 1963¨C4 by James Rosenquist
My Gorky: Arshile Gorky
The influential Armenian-born American painter Arshile Gorky (1904¨C1948) was described as the last of the great Surrealists, the first of ¡
Plugged In
¡®What I¡¯m interested in pursuing is not yet part of the zeitgeist¡¯, says artist Eduardo Kac. The same could ¡
Ideas in Transmission: LeWitt¡¯s Wall Drawings and the Question of Medium
This article considers Sol LeWitt¡¯s wall drawings as artworks poised on the cusp of the ¡®post-medium condition¡¯ of installation art. ¡
Nude Woman in a Red Armchair 1932 by Pablo Picasso
This sensual portrait of Picasso¡¯s lover Marie-Th¨¦r¨¨se Walter was painted at the artist¡¯s Normandy estate in 1932. Picasso dated this ¡
I've never painted an abstract picture in my life: Howard Hodgkin in conversation
He grew up in a home full of Omega Workshop objects, before being evacuated to New York during the Second ¡
Liubov Popova: From Painting to Textile Design
In 1923 the painter Liubov Popova began creating designs for fabric to be manufactured by the First State Textile Printing ¡
Art and Poetry
Tate In Focus research project exploring Pegwell Bay, Kent ¨C a Recollection of October 5th 1858 ?1858¨C60 by William Dyce
Insights into Eva Hesse¡¯s Working Practice: A Technical Study of Addendum 1967
Eva Hesse created her sculpture Addendum in 1967, at a time when she was experimenting with and exploring new materials ¡