Showing 1–20 of 656 results for autumn
Tate Papers no.6: Autumn 2006
Tate Papers no.14: Autumn 2010
Read about William Blake’s exhibition of 1809, drawing as a modern art practice, and the concept of the sublime. The …
Tate Papers no.16: Autumn 2011
British-born Lawrence Alloway (1926–1990) was a leading member of the Independent Group in the 1950s before moving in 1961 to …
Tate Papers no.20: Autumn 2013
This issue examines some under-studied writings by Adrian Stokes and Kenneth Clark, as well as Barbara Hepworth's relationships with her …
Tate Papers no.22: Autumn 2014
This issue looks at examples of twentieth-century exhibitions in which notions of play were harnessed by artists and institutions seeking …
Tate Papers no.24: Autumn 2015
This issue explores two distinct themes: the internationalism of pop art in the 1960s and 1970s and the writings of …
Tate Papers no.28: Autumn 2017
This issue explores paintings hidden beneath paintings on the same canvas. The seven works examined here – three by Pablo …
Tate Papers no.30: Autumn 2018
This issue features a collection of papers that originated from ‘Positioning Nigerian Modernism’, a conference held at ºÚÁÏÉç in …
Tate Papers no.2: Autumn 2004
Tate Papers no.4: Autumn 2005
Tate Papers no.8: Autumn 2007
The Autumn 2007 issue of Tate Papers, edited with the assistance of Bryony Bery, is given over to the …
Tate Papers no.10: Autumn 2008
Tate Papers no.12: Autumn 2009
Tate Papers no.18: Autumn 2012
This issue explores how drawing has been used by artists to record and represent unconscious or invisible forces that go …
Tate Papers no.26: Autumn 2016
This issue contains four very different articles that explore the ways in which artists, writers, conservators and galleries have acted …
Tate Papers no.32: Autumn 2019
Five articles in this issue seek to reassess the category of ‘American art’ in relation to provincialism and transnationalism, highlighting …